I've been trying to decide on a new fuzz pedal. Here are a few that have got my attention.
Robert Keeley Fuzz Head
Voodoo Lab Super Fuzz
Analogman Sun Face
Fulltone 69
Dallas Arbiter Fuzz Face
Wednesday, January 30, 2008
Saturday, January 26, 2008
Taylor "Electric" Guitar
Taylor has a new solid body electric guitar. I can't wait to hear it. It list for 1299.00 on Musicians Friend.
Top Ten Guitar Amps from www.guitarsite.com
#1 Marshall JCM-900 Series- This amp is both very versatile and powerful. Channel A can get super clean. It stays clean with the gain up to 4-5 (Gain goes to 10 on CH. A), as loud as you want. I know Marshall's claim to fame is their distortion, but the clean sound on this amp is very full, shimmering, and beautiful. As the gain increases, it gets into "classic" Marshall overdrive. This is a great amp for rock/hard rock. If you want to get a big distorted sound, though, you need to pair it with a closed-back speaker cab.
#2 Peavey 5150- This is an all tube 2x12 sealed back 60 watt 2 channel combo. Everything you need for playing metal to hard rock to funk to blues and jazz. This amp really wails at any volume for any rock guitarist. If you play hard rock and roll and it suits you perfect. On just about any setting the amp is very very noisy.
#3 Trace Elliot Super Tramp This amp is amazing, People have told me that there is absolutely nothing they hate about them. I had one guy say "can't think of anything else in that I need in a combo amp, This thing pretty much does it all". If you're shopping for combo amps, don't discount this thing just because there are no tubes. You may be surprised.
#4 Fender Twin 100W Tube Combo- Both channels feature low-mid-high controls with push-pull pots for boosting a particular range of frequencies. The overdriven channel also features a presence/notch control. The overdrive channel is nice and crunchy without any noticeable harshness.
#5 Peavey Classic 50- This amp has an impressive clean sound -round, warm, motherly, well-defined and very articulate. I play an EC strat which produces really glassy tones. As the volume winds up the sound remains clean, with crunch becoming apparent at the extremes. This is a loud amp by the way. The overdrive channel is not modern mega-high gain, but more your smooth driving sound.
#6 Mesa DC-5- Versatile but you must tweek. Dont fall into the stock amp mentality, use low bass settings and send it up with EQ. 2 channels one boost, Really, you can use the clean setting and pull boost for blues and rock. the overdriven channel is good for heavy modern rock (Bush,..etc)
#7 Fender Vibrolux Reverb 2x10 40w- Most people buy this amp because it is all valve, it's light weight, and has two independant channels. Alot of people think this amp just sings. It has plenty of clean headroom but will go into some smooth sounding overdrive if cranked. This thing is perfect for any musical style I can think of except hard rock/metal type stuff.
#8 Mesa Boogie Heartbreaker- Very expensive! Great amp, the cleans sounds are shiny, and the overdrives are great two. You can get a Marshall sound or a Fender sound with the flick of a switch. The 6l6's that come with it have a ton of bottom end and the crunch is very thick and smooth. It's not harsh or irratating like some Marshall's can be. No complaints other then the price!
#9 Fender Blues Deville- The Blues Deville is all tube & 60 watts. Very loud. It has 2 channels, clean & overdrive. They are both really nice but the overdrive has very little distortion. Both channels share controls for EQ. It's got pretty good reverb. (but gets a little strong) It has presence, and a bright switch. Its tweed w/ chicken head knobs that go up to 12. This is a very bluesy amp.
#10 Peavey Bandit 112- Seems to be the choice for entry-level players, almost everyone found this amp to be very noisy, both reverb and distortion. I had one last year, the reverb would always short out. The distortion is fine for that metal shred stuff, wouldn't want to do any recording with this amp. Since it's an affordable amp with a decent amount of power it made it into the Top 10. Don't expect ANY tube sounds from it.
#2 Peavey 5150- This is an all tube 2x12 sealed back 60 watt 2 channel combo. Everything you need for playing metal to hard rock to funk to blues and jazz. This amp really wails at any volume for any rock guitarist. If you play hard rock and roll and it suits you perfect. On just about any setting the amp is very very noisy.
#3 Trace Elliot Super Tramp This amp is amazing, People have told me that there is absolutely nothing they hate about them. I had one guy say "can't think of anything else in that I need in a combo amp, This thing pretty much does it all". If you're shopping for combo amps, don't discount this thing just because there are no tubes. You may be surprised.
#4 Fender Twin 100W Tube Combo- Both channels feature low-mid-high controls with push-pull pots for boosting a particular range of frequencies. The overdriven channel also features a presence/notch control. The overdrive channel is nice and crunchy without any noticeable harshness.
#5 Peavey Classic 50- This amp has an impressive clean sound -round, warm, motherly, well-defined and very articulate. I play an EC strat which produces really glassy tones. As the volume winds up the sound remains clean, with crunch becoming apparent at the extremes. This is a loud amp by the way. The overdrive channel is not modern mega-high gain, but more your smooth driving sound.
#6 Mesa DC-5- Versatile but you must tweek. Dont fall into the stock amp mentality, use low bass settings and send it up with EQ. 2 channels one boost, Really, you can use the clean setting and pull boost for blues and rock. the overdriven channel is good for heavy modern rock (Bush,..etc)
#7 Fender Vibrolux Reverb 2x10 40w- Most people buy this amp because it is all valve, it's light weight, and has two independant channels. Alot of people think this amp just sings. It has plenty of clean headroom but will go into some smooth sounding overdrive if cranked. This thing is perfect for any musical style I can think of except hard rock/metal type stuff.
#8 Mesa Boogie Heartbreaker- Very expensive! Great amp, the cleans sounds are shiny, and the overdrives are great two. You can get a Marshall sound or a Fender sound with the flick of a switch. The 6l6's that come with it have a ton of bottom end and the crunch is very thick and smooth. It's not harsh or irratating like some Marshall's can be. No complaints other then the price!
#9 Fender Blues Deville- The Blues Deville is all tube & 60 watts. Very loud. It has 2 channels, clean & overdrive. They are both really nice but the overdrive has very little distortion. Both channels share controls for EQ. It's got pretty good reverb. (but gets a little strong) It has presence, and a bright switch. Its tweed w/ chicken head knobs that go up to 12. This is a very bluesy amp.
#10 Peavey Bandit 112- Seems to be the choice for entry-level players, almost everyone found this amp to be very noisy, both reverb and distortion. I had one last year, the reverb would always short out. The distortion is fine for that metal shred stuff, wouldn't want to do any recording with this amp. Since it's an affordable amp with a decent amount of power it made it into the Top 10. Don't expect ANY tube sounds from it.
Vox VR-30
I tried an amp today. It belonged to a guy I just met. I only played on the clean channel. It sounded pretty good to me but seemed to lack bottom end. Here is some info that read about it:
The VR (or Valve Reactor) design is a hybrid combination of tube (valve) and solid state technology. Pre-amp stages use transistors and integrated circuits whereas the power amp stage uses a 12AX7 vacuum tube or valve. Vox claim that this technology links the sound from this box to the same pedigree as the legendary AC15 and AC30 of forty years ago.
The control panel is recessed into the top of the cabinet and all the controls sport vintage style "chicken-head" knobs. You immediately know in whose backyard you've come to play!
Next to the single input jack are the Clean Channel controls. One Volume, one Bass and one Treble. The manual warns us that with high output guitars even the clean channel will break up at higher settings. After a push-button channel selector we move along to the separate Overdrive Channel controls. The first of these is the Overdrive Style button. Set this to OD1 for natural "vintage" overdrive or OD2 for a more "modern" style of distortion. Next along is the Gain control which controls the amount of pre-amp overdrive produced. The Overdrive Volume next to that is used to control the amount of pre-amp gain delivered to the power stage. Juggle the gain and volume to achieve the overdrive sound required at a performance level that balances with your clean channel sound. A Bass and Treble control complete this channel's options.
Next to the single input jack are the Clean Channel controls. One Volume, one Bass and one Treble. The manual warns us that with high output guitars even the clean channel will break up at higher settings. After a push-button channel selector we move along to the separate Overdrive Channel controls. The first of these is the Overdrive Style button. Set this to OD1 for natural "vintage" overdrive or OD2 for a more "modern" style of distortion. Next along is the Gain control which controls the amount of pre-amp overdrive produced. The Overdrive Volume next to that is used to control the amount of pre-amp gain delivered to the power stage. Juggle the gain and volume to achieve the overdrive sound required at a performance level that balances with your clean channel sound. A Bass and Treble control complete this channel's options.
Friday, January 25, 2008
Blues Jr. vs Vox AC 15
These amps have quite a few similiarities:
Both are 15 watt tube
Both use EL 84 power amp tubes
Both of these amps have a good rep.
I own the Blues Jr. and like the sound. I have heard some guitarist use the AC-15 live and have amazing tone. Post your thoughts about these amps here.
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